The
historical centre of the island is
built on a small peninsula which
narrows the passage between the island
and the mainland to a bare 1270 meters.
The obvious possibility of controlling
the navigation of galleys and sailing
ships along the eastern coast of
the Adriatic at this location was
the reason for the foundation of
a small town-fortress, to render
this important service to various
masters. It developed rapidly in
its present form from the 13th century.
this century saw the proclamation
of the Statute, the coming of the
dukes of the Venetian family Zorzi,
and the area of Marco Polo. From
that time on the town walls and towers
are ever higher and stronger, and
houses and churches ever loftier
and more gracious. The town is at
the peak of its might in the 16th
century when it could receive 6000
inhabitants. Building is fairly concentrated;
the whole city enclosed by walls
does not surpass by in its surface
one modern football stadium; some
experts compare medieval Korcula
and its narrow streets with Manhattan.
The town impressed many medieval
writers and travel writers, through
its fortifications, many invaders.
Reasons of defence dictated the
enclosing of its citizens in secure
city walls, with the area outside
the wals forbidden for any building.
wo monasteries were outside the town.
These are the Dominican monastery
of St. Nicolas, 500 metres west of
the town, and the Franciscan monastery
situated on the island of Badija.
Both were often the target of attack
from brigands and other enemies.
The first workshop outside the town
where only built in the 17th century,
and the first dwelling houses outside
the city walls where built in the
18th century. Other parts of the
town, Sveti Nikola (west of the town),
and Borak (south and east of the
town) were built in the 19th century.
Between 1921 and 1941, the buildings
of hotels and villas in the Luka
bay - east of the town - began; as
also in the bay of Strecica, west
of the town. Intensive building continues
in the locations around the bay of
Luka: Zagradac, Ekonomija, Sveti
Antun, Domince and Soline.
The walled town is entered today
most often either across Punat (the
Bridge) and Fosa (the Ditch) through
the Tower of the Land Gate dating
from 1391. The present bridge was
completed in 1863, replacing the
old wooden draw bridge. At the same
time, the present gate inside the
tower was opened, thus marking incorrectly
the end of all wars 130 years ago!
The main street in the old extends
from this south tower (Berim) in
the northern city walls remind one
irresistibly of fish bones. Such
a perfect town plan compliments the
ground on which it stands, affords
an ideal way of life and in particular
provides a useful defence of the
town from invaders. Above the entrance
of the Land Gate, there are two symbols
marking Korcula history: a bas-relief
with the winged lion of St. Marco,
as a symbol of the regin of the Venetian
Republic, and the stone tablet commemorating
the 1000th anniversary of the coronation
of the first Croatian king Tomislav.
Through the Land Gate, one enteres
the Brothers Radic Square, where
the important public buildings of
medieval Korcula are situated: the
Town Hall from 1525 - always in constant
use - the Chapel of Our Lady of the
Snow from 1531, with a stone tablet
commemorating the defence from the
Turkish fleet in 1571, the house
of the town surgeon from 1530, the
church of St. Michael from 1412/1651,
the house of the brotherhood of St.
Michael with its valuable works of
art, and with documents from the
rich history of this brotherhood,
and the slim stone column in honour
of the duke Michieli dating from
1569. The triumphal arch in honour
of the victorious proveditor of Dalmatia,
Leonardo Foscolo, is against the
interior wall of the Tower of the
Land Gate in 1650. Foscolos statue
was later removed when Venice forbad
the erection of monuments to paid
civil servants of the Republic. In
the atrium of the Town Hall, there
is a relief by the Korcula sculptor
Pallavicini which symbolizes the
fighting with the Venetian lion.
Stone plaques are in the passage
towards the Princes Court in honour
of important events during the time
of the Croatian National Revival
in Dalmatia in the 19th century.
East street, off the square, is the
only Korcula street without steps,
so that it is often called the Street
of Thinkers; there we can find the
Cetineo house and small church of
St. Catherine from 1422. The only
Korcula private street extends towards
the west opposite the church. The
town prince used to enter his court
through this or he descended to the
sea and his private pier, where the
town gallery was always at his disposal.
Through the main town street - the
Street of the Korcula Statute from
1214 - we arrive at the Cathedral
Square. The biggest and the most
beautiful building of Korcula - the
Cathedral of St. Marco - is at the
top of the town. South of it, there
is the Bishops Palace (1342; 1653/1860)
where the Abbatial Treasury of St.
Marco is held today with its rich
collection of the Croatian and Italian
Renaissance art works, the collection
of manuscripts and books, and a collection
of the ceremonial clothes. North
of the Cathedral, there is the small
church of St. Peter - probably the
oldest surviving church in the town
from the 11th century in witch the
Renaisance portal of the master Bonino
da Milano, and the wooden statues
of the apostles are situated - the
work of Venetian sculptors from the
18th century.
On the western side of the square,
there is Crkva Gospojina (Church
of Our Lady) from 1483, the Renaissance
work of local builders, where the
tombs of historical Korcula families
are situated as well as the tomb
of the defender from Turkish assault,
the priest Rozanovic. There are also
beautifully decorated gravestones,
and a big mosaic by the Dutch artist
Louis Schrikkel on the altar, from
1964 - 67. There is a carved stone
column standard bearing in the square
nex to Crkva Gospojina dating from
1515. From the Crkva Gospojina towards
the north, there are the Arneri and
Gabriellis palaces. The Town Museum
is situated in the Gabriellis palace,
one of the most beautiful Korcula
palaces, built in the Renaissance
style from the 16th century. From
the Gabriellis palace towards the
sea, there is Ismaelis palace from
the 16th century with its beautiful
courtyard. The neighbouring Arneri
palace, which was renovationed from
1988 - 1996, will be home to the
gallery of one of the greatest Croatian
sculptors, Frano Krsinic, born in
Lumbarda (1897 - 1982). Besides the
artistically valuable courtyard of
the Arneri palace, the windows and
the wall of the same palace in the
south street are decorated with glorious
details of building and sculpture.
The Arneri family is one of the oldest
in Korcula. It has been producing
famous Korculans for centuries, and
the Arneris were especially involved
in the political struggles of the
19th century as leaders of the Croatian
parties in Dalmatia.
We descend from the Cathedral Square
to the north tower, Zakrjan. In the
first street on the right, there
is the family house of the traveller
Marco Polo. ogether with several
inscriptions and exhibits which remind
us of the great traveller and explorer
of all times, Marco Polo, was born
here in Korcula in 1254. e died in
Venice in 1324. Marco Polo was captured
in the great naval battle between
Genova and Venice near Korcula in
1298, and he wrote his book about
his journey to China in a Genoese
prison. The family house of the polos
in Venice vanished and was replaced
by a theatre, whereas Korcula has
preserved his family house in memory
of the great Marco. The Depolo family
is still today one of the most significant
Korcula families. Further along the
street towards Zakrjan, on the left
side, there is the house of the brotherhood
of St. Rocco, founded in 1575. Numerous
valuable art objects, statues and
paintings can be found in the house.
Left from the Zakrjan tower, in the
street above Hotel Korcula, there
is the family house of the poet Kanavelic
(at present a restaurant) with the
small church of the Annunciation.
Further on , there is the house of
another patrician family Spanic with
an attractive courtyard, and the
church of St. Barbara dating from
1407, which has been an Orthoodox
church since 1928.
Continuing further towards the south
by the road above the city wall and
the public water cistern Trepoca,
we arrive at the Square of Arms,
where arms were distributed to the
citizens in case of enemy attack.
Previously one arrived at the theatre
from this square, but the building
was destroyed in one of the bombardments
during the Second orld War.
The street at the south side of
the square - "Ulica od fonda" (Street
of Granary) - leads past the former
town granary towards the square in
front of the Town Hall, and further
on towards the eastern city wall
and the church of All Saints - the
original Korcula cathedral - and
the house of the oldest brotherhood.
A walk around the town begins with
Punat - the bridge - over which one
enters the town. West from the Land
Gate, there is a well preserved part
of the south town wall, together
with the present-day summer stage.
Prison Tower dating from 1445 was
built into the wall of the Mediteranska
plovidba headquarters (Shiping Line).
Two more towers stand further on
from the shipping Offices: the taller
and slimmer of them is the Princes
Small Palace from 1130/1449, and
the lower and wider one is the Princes
Large Palace from 1438. There are
two stone tablets with dates in memory
of the Second World War on it. From
these towers northwards the reconstructed
town wall extends housing deep arcades
behind which various port offices
(port captain, customs, administration
of the port, etc.) are situated.
Further on, there is a part of the
wall containing the oldest town cistern
of drinking water Trepoca (Tre pozi)
from 1437. The tower of the sea gate
from 1265/1448 lost its functionwhen
the town "surrendered" to tourism
owning to the decision of the Town
Council in 1907, when part of the
old wall was remowed and a new splendid
neoclassical staircase was built.
On the tower there is a coat of arms
and an inspiration in honour of the
trojan hero Antenor who, according
to the ancient legend, founded orcula.
There are today two obelisks (from
1589 and 1680) in honour to the town
princes Alviseo Polani and Pellegrin
Pasqualigo. Looking north from the
entrance staircase, there is Lodja,
the town loggia from 1548. It was
for centuries the only building outside
the town walls, and it had various
assignments - from police and customs
control office to travellers waiting
room.
The adjoining hotel Korcula was
built as a cafe in 1871, at the same
time as the city walls and towers
were pulled down. The reason was
as follows. The war Ministry of ienna
informed the town authorities in
1863 that it was returning the upkeep
of the towers and city walls to the
town as they were no longer deemednecessary,
and that it would not pay the expenses
of maintenance any more. The Town
Council responded by pulling down
the greater part of the city walls
except of the south part, and by
pulling down three of the towers.
In 1912, the then "Hotel de la ville" became
the first modern Korculas hotel when
the floor rooms were built. Todays
police station is adjoining on the
hotel Korcula. Already in the 18th
century it had been the first export
office and customs store. A special
attraction of the hotel Korcula is
its terrace from which one can enjoy
the sunset, especially in early summer
when the sun swts in the middle of
the channel in the distance.
The northwest area of the town is
protected by the Bokar Tower (Barbarigo)
built in 1485, and the Zakrjan Tower
(Kerjan), 1481, is facing north.
Between the Zakrjan Tower and Rampada
or Rampart (the modern name for the
remnants of the All Saints Tower
of 1493), there were another two
towers pulled down in the 19th century:
the Tower called Parilo and the Tower
of the New Gate. The walls and the
foundations of an older tower - The
Small Tower of All Saints, pulled
down in 1879 - are visible today
on the same Rampada.
From Rampada towards the Land Gate,
there is the Arsenal of 1572, built
at the time when the importance of
Korcula for the Venetian Republic
was growing. Venice had the winter
anchoring of its war fleet in Korcula
in the 18th century. The area between
the Arsenal and the Tower of the
Land Gate was protected by the Revelin
Tower from 1485. Nowadays it forms
part of a private house. Leaving
the medieval town we descend across
Punat (Bridge) towards "Plokata of
19th April 1921". Here, we can find,
on this modern main square, a fountain
commemorating the date of June 13th
1986 when water from the aqueduct
coming from the river Neretva began
to flow, thus liberating the Korculans
from the centuries-long nightmare
of the lack of drinking water. A
few steps from the memorial fountain,
we find ourselves in front of the
church St. Justina. There was formerly
a church there to the memory of St.
Sergius and St. Bakh, but this was
destroyed or damaged several times
during attacks on the town. The present
church of St. Justina was built between
1860 and 1897. The paintings from
another previous church, St.
Blaise (Blasius), are housed
there. The statue of the Resurrection
of Crist on the dome of the church
is the work of the sculptor Radic.
Towards the west, where the old "skver" (small
shipyard) Sessa used to be, there
is today a monument to the Korculans
fallen in the Second World War. The
whole complex is the work of Bernardo
Bernardi, a Croatian architect from
Korcula who also planned hotel Marko
Polo, and hotel Liburna. Four reliefs
depicting the traditional crafts
and professions of the Korcula people
are the work of another respected
Korcula artist, the sculptor Vinko
Fabris.
Walking along by the sea we come
to the Cap of St. Nicolas and the
beautiful private villa of the Croatien
painter Maksimilijan Vanka (1889-1963)
within its walled garden at the ancient
site of the windmill (Cap of the
Scaffoldings). Here also is the Dominican
monastery of St. Nicolas together
with its church which was built in
1505, and enlarged with an eastern
aisle in 1665. The altar of the western
aisle is adorned with a valuable
copy of Titians painting "The Tourturing
of Saint Peter". The original was
damaged at some time but the copy
remained, painted in the masters
school. The monastery also possesses,
besides this painting and a painting
by the artist Poncun of "The Miracle
of St. Dominic in Surian", numerous
other works of art, and a rich library.
The building of the monastery is
partly fortified; it experienced
several enemy attacks during its
long history. There is a very picturesque "mandrac" -
a small harbour for the monastery
boats - on the shore below the monastery.
We arrive, along the street of Bernardo
Bernardi, above the town to the top
of the hill where the "Forteca" -
the English tower, Fort Wellington
- is situated. It was built in 1813
on the site of the Venetian fortification
of open type built in 1616, and the
French fortification of the redoubt
type there from 1803-1813. The remnants
of these defence walls can still
be seen, and the church of St.
Blaise (Blasius) was pulled down
during the building of the English
tower. From this hill and this very
tower, which today serves as a telecommunication
station, a wonderful view extends
as far as the Korcula archipelago
and the island of Mljet to the east,
to the interior of the island to
the south, to the Peljesac Channel
and the island of Hvar to the west,
and to the old town and the mountain
St. Elias to the north.
Walking east away from the town
towards the hotels, one passes by
the semi-circular "piazzeta", a solarium
which was erected by order of the
British commander of the town, Col.
Peter Lowen. The inscription on the
columns of the "piazzeta" mentions
his name. The way leads further on
towards the town park "Hober" where
there is the chapel of Our Lady of
Lourdes from 1908, and the monument
to the soldiers from the Korcula
commune fallen in the First World
War. The "Hober" park is listed in
the state register of protected wooded
parks. Between the "Hober" park and
the sea there are several beautiful
villas erected between 1930 and 1940,
built by famous Croatian architects.
Some of them have lost much of their
artistic impact due to recent alternations.
At the top of the hill there is a
big public cistern for collecting
drinkable rain water, built in 1950.
Called "Naplov", It has a huge flat
surface as a catchment area. This
cistern is no longer in use at the
present time.
The way leads us further towards "Glavica
Svetog Antuna" (St. Antons Head).
This part of the town is named by
it: "Sveti Antun". On the top of "Glavica",
up to which 102 steps lead betwwen
an avenue of cypresses, there is
the church of St. Anthony and a hermits
dwelling in existence from 1420.
Bishop Spanic had the avenue and
staircase emplaced at the end of
the 17th century, and he was buried
in the church in 1707.
The Cemetery of St. Luke was built
at the end of the last century when
they ceased to bury the dead at the
cemeteries on "Plokata" and in front
of the St. Justina church. It is
a valuable witness to the history
of Korcula families.
Churches,
Museums, Collections>
The Cathedral of St. Marco is a Gothic-Renaissance
building which was built from the end
of the 15th century, mostly by Korcula
masters and from the Korcula stone
of the islands of Vrnik and Kamenjak.
Theree apses witness to the existence
of an older church. Its first builder
was the Korculan Hranic Dragosevic,
then follow Ratko Ivancic, Dubrovnik
builders, then Jacopo Correr from Tirani
in Apulia, but the cathedral was finally
completed by a genial artist, the best
known of Korculas medieval builders,
Marko Andrijic (died in 1507). The
builder Marko Milic Pavlovic added
the chapel of St. Rocco next to the
northern aisle in 1525. The cathedral
thus received its present form. The
portal with the figures of lions and
of St. Marco was built by the master
Bonino da Milano in 1412. He was the
creator of the door on the south aisle
with the figure of St. Jacob. Marko
Andrijic created the glorious rosette,
the wreath and the top of the bell-tower.
An unknown local master built the door
of the chapel of St. Rocco. The main
altar was adorned with the altar painting
by the great Venetian painter Jacopo
Tintoretto in 1550 (Jacopo Robusti
Tintoretto, 1518-1594), which depicts
the three patron saints of Korcula
and Dalmatia: saint Marko the Evangelist
- the patron saint of Korcula, and
at each side, saint Jerolisimus - the
patron saint of Dalmatia and saint
Bartholomew - the patron saint of ship-builders.
Below the altar table, there is a sarcophagus
with the relics of the towns other
patron sain, saint Theodore